In his “Love” series, Sernet explores the uniquely distinct visual and linguistic representation of scripts, confronting the viewer with the seemingly incomprehensible characters of Urdu, Mongolian, Wolof, Russian or Chinese.

Using chromatic variety to enhance the uniqueness of each script, Sernet further isolates the nature of each character giving them an abstract and detached feeling.

Only when the viewer realizes the communality of meaning of each piece does it become clear that despite differing scripts or geographic, social and cultural diversities, Man shares and expresses this most elemental feeling in the same way, even if does not always appear so.